Jobs, Jobs, Jobs

“New jobs, and more jobs, good-paying jobs.” -Haircare magnate and former Democratic candidate for Texas Governor, Farouk Shami

Want a job in journalism? Have the patience to deal with me and Ken Rudin? Apply to be a part of the NPR project I’m working on! It’s called Impact of Government (for now) and it’s a local-national collaboration between member stations and NPR to do broadcast and online news focused on how state government affects people. So far, four states are hiring for digital and/or broadcast reporters, and their job descriptions will tell you more (or I can, too). Here’s what we have so far. Questions? Email me.

FLORIDA
Digital Reporter (WUSF Tampa)

PENNSYLVANIA
Multimedia Reporter (WHYY Philadelphia)
Multimedia Reporter (WITF Harrisburg)

OHIO: Cleveland
Broadcast Reporter
Digital Reporter

NEW HAMPSHIRE: Concord
Broadcast Reporter
Digital Reporter

INDIANA: Bloomington
Broadcast Reporter
Digital Reporter

More jobs in more states coming soon.

Your Texas Budget Haikus

The Texas House worked Friday into Saturday to debate a state budget, also known as the General Appropriations Act or for reporters, The Long Slog That Will Keep Me From Going Home To Let My Dog Out. This biennium (Texas’ budget is a two-year beast), there’s more money going out than there is coming in, to the tune of somewhere around $27 billion dollars. That means staggering cuts — teachers will be laid off and nursing homes closed and the disabled will lose reimbursements for health care.

As I landed at DCA on Friday, the floor debate was going strong, and so were your tweets about it. So I flippantly messaged, “Someone send me an update on the Texas budget floor debate in the form of a haiku.” And you ACTUALLY DID. I was so warmed and entertained by these:

Jay-Z had it right
For us, it’s a “hard knocks life”
Rain today? Just might
@thatericmiller

Motion to table
Drink a beer and let it go
#Totalstaffermove
@phillipmartin

Budget bill gotchas
Don’t spend it all in one place
Where for art statesmen?
@edcapital

The children get crushed
Under the mighty budget
Republicans smile
@p_pavelka

TX budget woes
Progressive voters on toes
Marching in Austin
@jeanniedee, who added, “can’t believe I’m sending such crap.”

The budget debate
Though foreordained in outsome
Drags on like the Somme
@jstrevino

Tough choices abound
Freshmen clueless as ever
Wish you were still here
-sent to me by text, from a friend who wishes to remain anonymous

Late night in the Lege
More rumors than I can tweet
Total staffer move
@txlnghrnjen

Texas Spring budget
Republicans cut dead wood
Why does it bleed so?
@yorkshiretx

As those of you in Texas know, the House returns this afternoon for more budgeting. So feel free to keep your poetry coming. After all, the Texas Legislature has always been a delight to cover because of its epically comi-tragic qualities. And that can make for great art.

Ode to Idaho

With a goose in the parking lot. Check out those montanas.

 

We’ve spent two nights in beautiful Boise (which the locals pronounce with a special bounce – “BOY-see”) for work. And let me just say, we all wish we could have stayed here longer. The locals make us feel like we’re one of them, the mountains in the distance are so shockingly gorgeous that they look like green-screened, fake landscape, people just leave their bikes on sidewalks without locking them, the air is clean and the skies are blue and the food is local and delicious. Boise’s been bliss.

– People are nice in Texas, but it’s a whole ‘nother level of friendliness-among-strangers here in Boy-see. Damn. Everyone’s so smily and happy! (Culture shock after being in Washington for the last six weeks, where it’s hard to get people to look me in the eyes when walking down the street.)

-It’s a town without pretensions. The president of Boise State University, who was once a former lieutenant governor of Illinois, came to say hi to the team at the campus office in the afternoon and wound up at a brewery with us for beers a few hours later. He even invited his delightful wife.

-Idaho french fries are no joke. Whether it’s the straight-up Idaho potato fries, or the sweet potato variety, we’ve tried ’em both and quickly made them disappear. The fries are more steak fries-ish than French or Belgian style pomme frites, so it’s not fair to compare those stylins. But I’m pretty pleased we ate so many fries.

-Since I’m on my favorite topic, food, a quick shout-out to the “three local cheese macaroni and cheese” at Bitter Creek brewery on 8th Street. Damn. Delicious.

-I love sharing the parking lot with wandering geese and walking behind office buildings to see a giraffe. The greenbelt, the babbling brooks, this town looks like a sound stage.

So herewith some photos of Boise, preceded by a couple shots from Oklahoma City, where we stayed for one night before jetsetting to Idaho. Click on the caption icon to turn on the captions, which exist for a few of the photos.

https://picasaweb.google.com/s/c/bin/slideshow.swf

Stuff I Love: Creative News Interactives

On Saturday after I spoke on a panel called “News as Infotainment,” two lovely ladies from Frontline (FRONTLINE!) came up and asked me for examples of interactive and “infotainmenty” news presentations I really loved. I didn’t have time to go over them in person, so here you go, ladies:

New York Magazine: It’s Time to Play ‘Sheen, Beck, or Qaddafi?’


The ramblings and rantings of the actor, the pundit and the dictator have collectively compelled us as a nation, and while the three men are from vastly different backgrounds, the words that come out of their mouths are strangely similar. As the magazine wrote, “To demonstrate just what a struggle it is to distinguish between the mad ramblings of an entertainer, a despot, and a newsman another entertainer, we’ve put together this quiz. If you get them all right, you are some kind of savant.”

 

Vanity Fair: Qad Libs

Qaddafi is leading to all sorts of creative inspiration. Vanity Fair’s “Qad Libs,” based on the childhood word game “Mad Libs”, allowed readers to “create a realistic hard-line speech by inserting your own bizarre words into the colonel’s actual defiant address.” The magazine allowed readers to fill in a string of nouns, adverbs and adjectives in their interactive form to create their own Qaddafi rants. Amazingly, every customizable rant seemed right on.

 

Budget Puzzles, by The New York Times, Sacramento Bee, American Public Media, and more


In response to the nations gazillion trillion dollar deficit, and the frightening shortfalls of state governments around the country, media companies have followed in The Times’ footsteps with interactive budget puzzles that allow the user to find ways to balance the budget. Poynter’s recent piece discusses the limitations of these puzzles (the game writers get to set the parameters of what to cut or revenue to increase) but this is a great way to make real the budget troubles of governments, teach readers about the decisions that have to be made and allow for audiences to prioritize what they think is important.

 

The Chillout Song, by Ze Frank (my hero)

Frank’s project teaches us a beautiful lesson about how technology and social sharing can enable human connection. As you’ll read in the story he lays out, he received an email from a girl named Laura who was stressed out and felt hopeless; she asked for a song to help calm her nerves. Frank asked her to describe her feelings, which then led to a sketch of a song that he then asked his audience to record themselves singing. It led to a gorgeous result, no pitch correction required, that you can now purchase online.

http://bandcamp.com/EmbeddedPlayer/track=397380065/size=grande/bgcol=FFFFFF/linkcol=4285BB//

SXSW 2011: Interactive Narratives

Our panel this lunch hour would pair well with the panel featuring Ze Frank that we attended yesterday. The premise:

Literature need no longer be defined and combined by the objects that contain it—books and magazines and pages. New Media technologies like Augmented Reality, Transmedia Storytelling, and Interactive Stories offer new ways for narratives to be created and experienced. How can writers work to create new forms of storytelling? Experts who are committed to this vision will talk about examples of work and discuss the opportunities in this emerging field.

Old Model: Story is fixed (print story, for instance), and audience is captive and submissive.

New Model: A dynamic story that allows for personalized engagement and narrows the gap between writer and reader.

How?
Do more than connect text and images on a page, i.e. a children’s book. Let’s try and make it into a “digital book.”

1.) Asset Assessment. Know what text assets you have, and which audio characteristics would accompany it.
2.) Visual Layout. Start with changing orientation to horizontal instead of vertical. When photos take the large part of the screen, put a text box on there with some opacity to see the image behind it. Or, since HTML5 allows it, you can write directly on the screen, without a text box.
3.) Interactive Elements.
– Allow the audience to move the photos on the page, personalize the scale, etc.
– Allow the audience to record into the book
– Allow the audience to color in a photo

Or, Use Social Media as a Narrative Platform

Character/scene development can happen with social profiles and blogs, creating an emotional connection. For example, illustrate the characters with profiles on Facebook. Use status update and photos to deepen the plot or introduce backstories. Use blogs to shift story perspective, highlight internal dialogue.

Activate audience participation by using microblogs like Twitter and Tumblr to create engagement and build community. It’s an opportunity for readers to share ideas about the story that can later be integrated into future story development. As feeds are shared and you’re having dialogue, you’re pulling more people in.

“With interactive storytelling, I feel like we have so many story tools to choose from,” said presenter Esther Lim. “Consider your audience and how they consume content. Design the level of reader participation you want to build. ID the best social media platforms for your story.”

Prepare for your audience, as different people engage in different ways. Typically, you’ll get three tiers of content consumers:

Passive Consumer
Occassional Participant/Lurker
The Die Hard Fan

Going Forward…
Just start with what you know, if you’re new to this. Why bother? On the business side, you can lower costs since marketing is built into the product. On the creative side, this is addictive and fulfilling.

Make it easy for people to participate and make it worthwhile with some sort of reward or personal satisfaction that someone could gain.

Example:
Lowlifes.tv: A transmedia story told over a book, blog and video series. One of the characters said “If you want to help, send me an email.” They started giving the reader a series of tasks to get the reader to participate. QR codes would offer additional subplot.

 

SXSW 2011: Unexpected Nonfiction Storytelling (with Ze Frank!)

The Nonfiction Storytelling Panel

The Panelists: Ze Frank, Caspar Sonnen (a Dutch guy, natch), Tommy Pallotta and Rob McLaughlin with the National Film Board of Canada.

So we’re here to learn about new ways to tell nonfiction stories, which duh, winning, can be applied to news. Pallotta started making documentaries but switched to animation and now primarily makes media for the internet. Frank has been toying with online media for many years. “I don’t consider myself a documentarian, I work with lots and lots of people to find moments and find a way to bubble them to the top,” Ze Frank. “I have to compete with the rest of the world to find the best way to tell my story.”

Buzzwords and examples (!) from this session:

TRANSMEDIA (noun): Cross-platform storytelling.
Example: Creating a gaming aspect to put you in simulations/give a hands-on experience of the energy crisis. At the same time, having a documentary shown on television but also broken up into clips onto YouTube. To create an emotional anchor, filmmakers then take abstract ideas and embodied them in characters and stories. The combo: a documentary, a fictional part, and an interactive. How to tie it together? In a Pallotta film, they designed three panels at once, that slides left to right with interactive on left, fiction story in the middle, and more info with documentary talking heads and text info on the right. It’s annotated storytelling. “It’s interactive in that if you want to engage more with it, you can,” Pallotta says.

CLOUD EDITOR:
Encouraging people to crowdsource their own projects, by putting up various video archive elements online and putting up an online editing tool to allow the community to take part in storytelling. “I think so long as they’re talking about it, that’s a good thing,” Pallotta says.

INTERACTIVE PARABLE:
Example: The Test Tube: with David Suzuki, which examines what we’d do with our global sustainability problem in an interactive. It involves an online video,  with people contributing on Twitter with their reactions, what they would do with only one minute left in our biosphere. That data that comes in will then get visualized in bubbles that show the community reactions. “Sleep” was the largest bubble.

See also: Welcome to Pine Point, a 25 minute experience that you click through and read and experience the overall story with video elements. This is allowing the print and publishing world to open it up to new possibilities. Nieman StoryLab coverage of this project is worth a read as well.

INTERVENTION STYLE: (aka the Ze Frank style) Not so much telling stories but creating small, weird little engagements that get people to experience something particular or take risks. “When you start saying you’re going to interact with audiences, the problem is it’s really hard to even interact with one person,” says Ze Frank. “The translation to online work is how do we hyper hyper simplify the goal of these interactions?”

Examples:
youknowi.ly: Heavily moderated due to porn. But this is a simple way to share an interaction.
star.me allows you to give stars to people you think are awesome. Your desktop is then filled with appreciations with other people.
zefrank.com/youngmenowme recreates photographs from your childhood. “There’s something wonderfully special in that,” Frank says. With these submission projects, then it’s hard to get meaningful text from the users. He then has to ask questions in a “sneaky” way to get people to open up in a way that’s useful to getting a story.
Pain Pack: Frank opened up a hotline for people to leave their painful experiences. Audioclips were given to sound editors, and they cut them and chopped them into a library of discreet sounds. And those sounds were then given to music makers to create songs just from sounds from the Pain Pack. “The audio of the original recordings is super compelling, the project itself, I cannot figure out how to make it compelling.”

GUIDANCE FOR GOING FORWARD:

– Having a “voice is important to interacting with your audience. If it’s playful, it’s playful, if it’s serious, serious.”
– To finance these things or monetize them after the fact, there’s no pat answer. You have to be creative with the resources you have. “Don’t worry about it right now,” says Pallotta. “Just make it.”
– Scale your idea. If you have a small amount of resources do a soft launch to get people excited and interested in your idea.
– In every industry landscape, the leaders are afraid they are missing something. If you can create a project and pitch it like “this is what they’re missing,” you can make some money.

SXSW 2011: Bloggers vs. Journalists

@JayRosen_nyu and Lisa Williams from Placeblogger.com are here to talk about bloggers versus journalists. The pitch:

I wrote my essay, Bloggers vs. Journalists is Over, in 2005. And it should be over. After all, lots of journalists happily blog, lots of bloggers journalize and everyone is trying to figure out what’s sustainable online. But there’s something else going on, and I think I’ve figured out a piece of it: these two Internet types, amateur bloggers and pro journalists, are actually each other’s ideal “other.” A big reason they keep struggling with each other lies at the level of psychology, not in the particulars of the disputes and flare-ups that we continue to see online.

I’ll try my best to liveblog the action.

3:35pm:“You learn to wear the mask, if you want to join the club,” Rosen says about the psychology behind journalists and the “club” we’re part of.

3:36pm: Disruptions by the internet threaten to expose conflicts within the press. Internet exports inner conflicts to the world outside the press.

3:39pm: On Bill Keller’s piece, which ribs aggregators like Huffington Post and others for “derivative work”, Rosen concludes that there’s something about bloggers vs. journalists that permits the display of a “preferred” or idealized self among people in the press whose work lives have been disrupted by the internet. “Spitting at bloggers is closely related to gazing at your own reflection and falling in love with it again,” Rosen says.

3:40pm: Yikes, I feel like I’m back in journalism school. Jay’s quoting people from Europe and stuff. This is so … academic. My brain is too small.

3:42pm: We’re focusing a lot on this notion of bloggers “replacing” journalists. That there is, or was, a view by mainstream journalists that bloggers versus journalists is a mutually exclusive arrangement. I’m assuming this builds toward the argument (now pretty widely accepted) that we’re not one or the other, but both.

3:47pm: What do bloggers get from hanging on to this divide? “By raging at newspaper editors, bloggers manage to keep themselves on the outside of a system they are in fact, part of. It’s one internet, people. The system now incorporates the people formerly known as the audience.” Bloggers and journos are each other’s ideal “other.” The conflict, for bloggers, helps preserve the ragged innocence by falsely putting “all” power in “big media.”

3:49pm: The press is us, not them, Rosen argues. Bloggers and journalists who refer to the word “traditional” — that tradition is 80-90 years old. But our experiment with is is 250 years old. Whole chapters of that history were rejected in order to claim “elevated status.” “With blogging, they have come roaring back,” Rosen says.

Not Jay Rosen. Lincoln Steffens.

3:52pm: “Something dropped out of journalism between 1902 and 2002. The bloggers are the return of the repressed,” Rosen says. He argues bloggers are the return of muckrackers like Lincoln Steffens and bring back what was lost in the transition from journalism to a business.

3:55pm: So, people become journalists largely for some social justice reason, i.e., making the world a better place. But then the professional codes in place often prevent this. “It’s hard to fight for justice when you have to master he said, she said. Voice is something you have to take out when you want to succeed in the modern newsroom,” Rosen says.

3:56pm: Bloggers, on the flip side, jump straight to voice. Points to dumping on Dave Weigel by WashPo staffers as an example of bloggers vs journalists struggle absorbed into newsroom.

3:57pm: Rosen gives us a helpful heads up that he’s almost done with his general expository talk. “I’m coming in for a landing. Five minute and we’ll have questions.”

3:59pm: In pro-journalism, the terms of authority have to change. The practice has to become more interactive, and this has to happen during a time of enormous stress. The story the press has been telling itself has broken down. It no longer helps journalists navigate the conditions today. We have to tell ourselves a new story about what we do and why it matters. Bloggers vs Journalists struggle is a refusal to change. “It’s fucking neurotic,” he concludes.

4:04pm: HEY it’s Q and A time! He says he’s for “mutualization.” We have something to contribute to journalism (as we’ve seen with all the video of the earthquake, etc), and journalists have something to contribute, namely, discipline, to bloggers.

4:06pm: Rosen: If you are accurate, and fair, and deal in verifiable information, you can write with voice or practice institutional voice. There’s no separation from truthtelling and attitude. The people telling us about the world must understand importance of accuracy, transparency, intellectual honesty. “Whether or not you voice your opinion in my view is a stylistic question.”

4:08pm: On the rise of Fox News’ agenda-driven journalism: We have to hope for building trust is more important than grabbing mindshare. This is a permanent tension.

4:11pm: Are we ever going to get beyond the conflict between bloggers and journalists?, Stacey from Paid Content asks. “In psychology, you don’t get over the things that have wounded you. You don’t dismiss the neuroses that formed you. Instead, what we can hope for is to create a lot more room for maneuvering so we aren’t trapped by these things anymore. By going right at this conflict, I’m hoping we can transcend it.”

4:16pm: We’re on shield law now and how the law should protect acts of journalism instead of journalists. Unpacks the notion that the journalism profession is the only one protected by the First Amendment.

4:18pm: This is so meta. Clay Shirky asking a question of Jay Rosen. Question is about the role of journalism schools. Rosen essentially argues there are two kinds of journalists – those educated in j-school, and those educated in the school of life. “[Journalism school] about taking something that was a working class trade and elevating it to the status of a profession,” Rosen said. “That’s where the notions of objectivity come from.” … Then we get a comparison to the phone sex industry.

4:21pm: A question from Twitter on the projection screen is about “the NPR vs. sting video fracas”. Waiting…

4:25pm: Rosen says James O’Keefe is a blogger in terms of using tools of self publishing. But he thinks of O’Keefe as a performance artist whose work objective is to create panic in institutions. “NPR gave into his performance by panicking and firing its CEO,” Rosen says. (See his argument on PressThink.) Rosen argues that if NPR doesn’t realize there are enemies out there, they won’t do enough to counteract it. “I think there’s lots of people in public media who know that, but it’s the people at the top who don’t know how to reconcile that.”

4:29pm: Rosen gets a paywall question. He says he’s not religious about it. He thinks it’s a practical question. “It’s really hard to tell people who are producing commodity content that they’re producing commodity content, so that’s a huge barrier right there. He says we need journalism to bring attention of something to the community of the whole. But paywalls threaten to make journalism, which is about informing the public, more like private newsletters. That then creates the “insider class.” What’s at stake is that if we go to a world where newsletter model supports professional journalists, then we say that informing the public as a whole is something we’ve left behind.

4:34pm: More Rosen advice for NPR, namely to embrace transparency of individual views and “pluralism,” which is explained in his post linked above.

4:38pm: With our remaining time, we look at how money relates to blogging and bloggers. “What makes a big difference is whether you need to keep doing what you’re doing. An accidental journalist who doesn’t need to continue to do that, is in a different position than a person who’s trying to make their living at it. The investment needing to pay returns changes the relationships with the user.”

4:41pm: Something about phone sex workers again. AND WE COME FULL CIRCLE!

I think that does it for me … off to SXSW parties galore. More to come tomorrow.