Following the Atlanta tragedy, so many stronger writers than me took on the exhausting task of making visible some of the previously invisible traumas of living as an Asian woman in America. But I wanted to do something, contribute something useful to help better explain this moment.
Since I’m in LA, I did a Hollywood-related story for VICE News Tonight, about how the makers and shapers of pop culture have perpetuated dangerous tropes about Asian ladies.
This gutting news came at the end of a four day trip to the Mojave Desert for VICE, where we drove past mountains on fire to see the burn scar of an August wildfire that killed tens of thousands of trees in the largest Joshua Tree forest in the world.
Climate change was in the haze and the heat. Climate change was under our feet, in the scorched earth on which we stood. Reporting this devastation — and efforts to do something about it — is crucial and I’m pleased we got to get the exclusive footage up there in the Mojave National Preserve. I’ll share this visual, heart-breaking story on Monday. Behind-the-scenes, it meant briefly returning to BC — Before COVID, when I took long road trips or hopped on planes all the time for these intense reporting trips.
Everything is changed. Driving out to Joshua Tree, the sound guy and I avoided stopping anywhere. Hotels don’t do cleaning service because COVID. Everyone is fortified with their masks and clear plastic shields. We wore masks in all the interviews, even though they took place outside, because of the optics and for the extra protection.
Flying for the last leg of the reporting made me feel anxious and suspicious. I was scared to sneeze. In the Sacramento airport on my way home (from the one interview we flew into town for), only one restaurant in the food court remained open — the vegetarian one, natch.
But we also found joy and serendipity on this trip. As a VICE team, we ate and drank together outside by the pool after long days, sunburned from the desert and pricked by burrs at our ankles. Producer Sarah got a chance to see her sister, brother-in-law and toddler niece for the first time since Christmas when we did a drive by their balcony in Sacramento. My friend Rachel and her new baby, Simone, are also staying in Sac during COVID and the ladies drove out to our interview location so I could sneak a moment with Baby Simone. My little brother, Roger, had come to LA to help care for the girls while I was away, and we siblings were able to reunite for the first time since December at LAX for a mere moment, as he was headed home to Dallas and I had just landed from Sacramento.
After I got home and got the girls down, David Greene, one of my most reliable drinking buddies and closest friends from NPR West, gathered a few of the regular friend squad for a night out of drinking and revelry like the old times. Only, we were always outside and we hugged with masks on and with our faces turned as far away from one another as possible. We used to go drinking together at least weekly, and we hadn’t since March. Finally we were all together again which felt restorative after a nonstop reporting trip and given the news, a tough, tough day.
I got home just before midnight and the earth shook. At first I thought, oh, maybe I’m drunker than I thought but nope, nope, it was an earthquake. Magnitude 4.8, and no damage or injuries here, but a reminder the ground beneath us is always changing.
When we landed back in America in August 2018 and I walked around our Venice neighborhood, what struck me was the astonishing number of homeless folks on sidewalks and in tent encampments. The stark income divide seemed unfathomable — just to rent the Airbnb in that neighborhood cost $10,000 a month.
Los Angeles County counts some 66,000 people living without shelter, whether it’s in tents or in their cars. When COVID19 spread, the many agencies trying to solve the problem worked together to get as many at-risk homeless off the streets and into the hotels fast-emptied of travelers. It worked … kind of. Here’s my piece for Vice News Tonight, produced by the unstoppable Sarah Svoboda.
They use the term “the streets” as a catch-all for beat reporters who “work them,” but you don’t actually have to be ON the streets for it. But this week for reporting with my latest new employer, VICE, we were literally on the streets of Santa Monica and Venice, with the homeless. The official number of those experiencing homelessness in LA County is something like 66,000.
For me this was a return to the field — or streets — for the first time since the original stay-at-home order hit California in early March. I’m working with VICE News as a correspondent on the West coast now, made possible by becoming a project person earlier this year. (I’m not contractually tied to any org exclusively anymore, wheeeee!)
The crew and I were talking over tacos on Wednesday, saying we were honored to be telling a story about the emergency effort to get vulnerable homeless off the streets as the virus raged, because it’s an opportunity to tell the stories and flesh out those experiencing homelessness. Humanizing people who so often go unseen in our communities even though they live among us and are full and complex human beings, is what journalism is here for.
But of course, reporting during COVID19 is a different, eerie ballgame. We had risk assessment people monitoring us and our reporting environs. We had a doctor who made sure we kept enough distance or that we were never in any indoor space for longer than a few minutes. We were sanitizing nonstop, we were temperature checked everywhere, we were gloved and SO masked that I will technically be appearing on your television but largely unseen, because I and others are all masked, all the time.
So much delight to note from behind the scenes: I love watching documentary camera men do the dance of keeping out of each other’s shots and figuring out who is going to position where, all while rolling on the action. They just gesture at each other and communicate with their silent movements. I love our LA native musician who worked sound, Defari, who made all our mics invisible. I love being with a crew again, especially a producer who handled all the logistics and booking and planning and made sure that if I missed a question, it was covered.
Sarah the producer and I became fast friends and ended up laughing over drinks on patios after each long shoot day; it made this upside down time in our upside down world feel a little bit normal, and that’s a huge gift.