Nearly 2,000 participants took part from all over the world, dozens of speakers and performances enchanted, empowered and enlightened us, an endless series of off-campus sessions, dinners and parties forged new connections, re-ignited old ones, and gave a lot of us COVID. I suppose the COVID part was to be expected.
As a TED podcast host, I was in Vancouver to work rather than simply watch and enjoy, so it meant not missing any talks, since we will be featuring them in the weeks and months to come on the podcast. I also conducted a series of behind-the-scenes conversations with this year’s speakers, which we will append to the end of their talks when they’re on the show.
But there was plenty of time open in the schedule for partying and reuniting with friends, too.
This year, my former NPR colleague and life advice guru, Shankar, spoke on something called the illusion of continuity, which is also the subject of one of my favorite TED talks of all time. I was mainly happy just to see Shankar and hang out with him, as well as make a new friend in the former newsman, Dan Harris, who now runs the meditation app, 10 Percent Happier. Dan really crushed it on the TED stage, too.
My man Hot Rob came out to Vancouver to hang out with me and that was a balm, because these giant conferences where you’re surrounded by a sea of humanity have a way of making me feel really alienated and lonely. (I also felt like this when I covered the Olympics in 2018).
So I’m grateful he was there to kick it and make jokes about rich people like Elon Musk, who showed up on the last day. We squeezed in some Vancouver sightseeing, like a freezing cold bike ride along the sea walk and around Stanley Park. If not for the extremely helpful boost from electric bikes, I would not have made it back.
Ideas I’m excited about spreading: Universal basic services instead of universal basic income, a proper accounting of the climate benefitting labor that whales and elephants and other creatures do just by existing (so that they can be considered worth more alive than dead), and the work of the choreographer and animator Nina McNeely, whose stage production mesmerized us.